Перекресток Миллера (1990)
Америка тридцатых годов. Время сухого закона. Преступные кланы в любой момент готовы развязать кровавую войну за контроль над поставками нелегального алкоголя. Том Рейган — умный и авторитетный преступник, бывший советник одного из мафиозных боссов. Он своего рода анти-герой, абсолютно аморальный эгоистичный и подлый человек. Но, тем не менее, своими незаурядными способностями оставаться живым после самых крутых разборок, вызывает искренние симпатии. Он умело балансирует между двумя готовыми в любой момент сорваться бандами, пытаясь удержать их от начала войны. Но долго так продолжаться не может, и у Тома возникают такие проблемы, от решения которых будут зависеть судьбы слишком многих людей…
Директор:
Joel Coen
Писатели:
Joel Coen, Ethan Coen.
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Перекресток Миллера Review
Nicholas Lacharité France
I absolutely love this movie. If you haven't seen it I would definitely recommend this movie.
Tricia D. Layman Canada
I can't recall how many times I've seen this movie, but I am never bored by watching them one more time.
Torsten Schmitt Germany
I love this movie and I am just now watching them again.
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экипаж
| Directing | Joel Coen | Director |
| Production | Ethan Coen | Producer |
| Sound | Carter Burwell | Original Music Composer |
| Camera | Barry Sonnenfeld | Director of Photography |
| Editing | Michael R. Miller | Editor |
| Art | Dennis Gassner | Production Design |
| Production | Donna Isaacson | Casting |
| Production | John S. Lyons | Casting |
| Writing | Joel Coen | Screenplay |
| Writing | Ethan Coen | Screenplay |
| Lighting | Michael F. Burke | Rigging Gaffer |
| Lighting | Russell Engels | Gaffer |
| Camera | Patti Perret | Still Photographer |
| Crew | Jery Hewitt | Stunt Coordinator |
| Sound | Todd Kasow | Music Editor |
| Editing | Michael Berenbaum | First Assistant Editor |
| Directing | Thomas Johnston | Script Supervisor |
| Camera | Larry McConkey | Steadicam Operator |
| Sound | Allan Byer | Production Sound Mixer |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | Nancy Haigh | Set Decoration |
| Costume & Make-Up | Richard Hornung | Costume Design |
| Art | Leslie McDonald | Art Direction |
| Production | Mark Silverman | Co-Producer |
| Production | Ben Barenholtz | Executive Producer |
| Production | Graham Place | Line Producer |
| Production | Alma Kuttruff | Production Manager |
| Crew | Peter Chesney | Special Effects Coordinator |
| Camera | Angelo Di Giacomo | First Assistant Camera |
| Crew | William 'Fleet' Eakland | Transportation Coordinator |
| Crew | Earl R. Hurst Sr. | Transportation Captain |
| Production | Terri Clemens | Production Coordinator |
| Production | Joel Coen | Producer |
| Costume & Make-Up | Katherine James | Makeup Artist |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Directing | Gregory Jacobs | Assistant Director |
| Production | Jane Brody | Casting |
| Editing | Tony Grocki | Assistant Editor |
| Sound | Sonny Burke | Additional Soundtrack |
| Sound | Marissa Littlefield | Dialogue Editor |
| Art | Douglas Fox | Property Master |
| Sound | Gail Showalter | ADR Editor |
| Sound | Nic Ratner | ADR Editor |
